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Among the textiles recovered from the necropolis of Antinoé (Antinoopolis) in Middle Egypt during Albert Gayet's 1898 campaign, and now held at the Musée des Tissus et des Arts Décoratifs in Lyon, the group of men's mantles stands out as a technical achievement in its own right — and as material evidence of how Armenian dyestuffs entered the textile economies of the late antique Mediterranean.The garment inventoried as MT 34872 came from tomb B 281. Gayet, unable to determine the occupant's rank from the burial itself, named him simply le « haut dignitaire », the high dignitary, on the strength

The miniature depicting Noah's Ark (MSS 727, folio 45a) belongs to the Jamiʿ al-Tawarikh ("Compendium of Chronicles"), the monumental universal history commissioned by the Ilkhanid vizier Rashid al-Din Fadlallah (c. 1247–1318). The manuscript was produced in Tabriz between 1305 and 1315, during the reign of the Mongol Ilkhan Öljeytü (r. 1304–1316). The Khalili folio, measuring 14 × 25.5 cm, is executed in ink, translucent and opaque watercolour, gold, and silver on paper. Together with the companion fascicle in Edinburgh University Library, it represents the earliest surviving Arabic version of this work. The manuscript later belonged to the Timurid ruler Shahrukh,

The 6th International Scientific Conference "Ethnographic and Folkloric Readings" convened on 14 August at the Shirak Center for Armenian Studies of the National Academy of Sciences of the Republic of Armenia in Gyumri. Established as an annual forum, this year’s edition marked a significant expansion in its international character, bringing together twenty-five scholars representing a range of academic institutions across different countries. The conference was structured around two thematic tracks—ethnography and folklore—and provided a platform for the presentation and critical discussion of current research in these fields. Among the participants was Dr. Ani Margaryan, founder of the ChinArmArt research initiative

On 6 August, at 5 PM Yerevan time, the annual student gathering for Armenian students took place at LOFT in Yerevan. The event was organized and hosted by the Armenian Student Association of China (ASAC), one of the few active and well-organized Armenian organizations in China, established over a decade ago by Mher Sahakyan.The meeting was led by ASAC President Tatevik Asatryan. Former and current board members of ASAC delivered speeches and actively engaged in dialogue with the participants, who included former and current students, alumni of Chinese universities, and representatives from organizations related to China. More than 50 participants

In May 2026, Artem Muradyan, an Armenian communication design student from Tongji University, unveiled his graduation project: Ձևի Հիմքում / The Shape Beneath / 形之下. The project is an inclusive cultural campaign identity concept developed for the Matenadaran museum in Armenia, designed to introduce Chinese Song dynasty calligraphy to Armenian audiences through a multisensory experience—visual, audio, tactile, and interactive.The graphic system begins with a single calligraphic character, which is then deconstructed through analysis of its structure, outline, negative space, and visual weight, before being reconstructed into simplified block forms. Each resulting shape is derived from the internal logic of the

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