Silk Road Serenity: Celebrating the Unity of Humanity and Nature
In the heart of a vast desert landscape, a magnificent sculpture carved from red sandstone, depicting an infant in a serene slumber, stands as a testament to the ancient ties between civilization and the natural environment. This remarkable piece, entitled
The rich tradition of Armenian coppersmithing teeters on the brink of extinction
In previous times, domestic cookware primarily consisted of copper and clay vessels. Copper containers were typically coated with tin, a process known as "tinning," to prevent rusting and maintain their usability. The individuals skilled in this trade were referred to
The Armenian Art and Wine Festival commenced in Shanghai
As the Armenian Chinese Partnership Center reports, on June 26, the Shanghai 2024 Armenian Art and Wine Festival commenced at the Global Hub International Center of the Shanghai Free Trade Zone. The festival showcased Armenian wines and brandy and approximately
The Karashamb Goblet- the epitome of the Bronze Age Armenian social hierarchy and beliefs
The Goblet from the 22nd - 21st centuries BCE was discovered in Karashamb - a village in the Kotayk region of Armenia. It is kept in the History Museum of Armenia. The goblet was found in 1987 in the village
The story behind an Armenian photograph
The story behind this photograph has been passed down from generation to generation. In 1898, Bedros Murachanian (pictured with his parents, names unknown) received a premonition from God that he and his family should flee Diyarbakir city. The family fled
The beauty of rural Armenia and Armenian people mirrored in Nana Gyulikekhvyan’s art
Member of the USSR Union of Artists, Honored artist of Armenian SSR, Nana Gyulikekhvyan was born in Gyumri/Leninakan. She studied at the Yerevan Art College (1942-1947) and the Art and Theater Institute (1948-1953), workshops of M.A. Aslamazyan and B.A. Kolozyan.
Ruben Giney on Armenian-Chinese cultural relations: We have so much to say to each other (interview)
ChinArmArt People who have watched "Andin. Armenian Journey Chronicles" are often curious about the medieval astrolabe that also appeared on the poster of the film. Was it discovered by the film crew? Why did exactly that object become the symbol for
Lavash as an art and in the art- from Minas Avetisyan to Kusama-influenced installation
By Ani Margaryan It’s noteworthy that lavash and its making process rarely come into sight as a focus forcontemporary art installations. We are fortunate to witness its employment as a basic material forgroundbreaking installation that occupies a whole room at 117
