The essential contributions of Armenians to the translation of the Bible into Chinese and Uyghur
During the 16th and 17th centuries, Jesuit missionaries made early attempts to translate portions of the Bible into Chinese. However, the credit for the first complete Chinese translation of the Bible goes to Hovhannes Ghazarian. Another Armenian, Johannes Avetaranian, is
The general representation of Chinese people in an Armenian early- 20th century publication
by Ani Margaryan Several photographs have recently surfaced on social media platforms that depict pages extracted from an early 20th-century Armenian publication that was printed in Tiflis, the capital city of Georgia, where a thriving Armenian community was present during
Gems of ChinArmArt collection: Replica of the Armenian traditional costume of Karin in China
The center of Bardzer Hayk, Karin, has been a preserving force for the age-old traditions of Armenian material culture and daily life, particularly in the areas of jewelry, tailoring, lace-making, and national costumes. The Treaty of Adrianapolis, signed in 1829,
ChinArmArt was interviewed by the CGTN Armenian
The founder of the trilingual ChinArmArt informational and analytical website was recently interviewed by the Armenian service of China Global Television Network (CGTN).Ani Margaryan, an art historian with a Ph.D. in arts and humanities, emphasized in her brief interview that
Studies on the Armenian national costume gaining recognition in Chinese academic circles
On November 5th, Binzhou University, located in Shandong province, hosted a lecture on the history of Armenian folk costumes and their evolution over time. The lecture was conducted by Dr. Ani Margaryan, a researcher in the field of Armenian national
Chariots and carts in ancient Armenia and ancient China
by Ani Margaryan The Lchashen Settlement, located in modern-day Armenia, has long captivated archaeologists as a fascinating Bronze Age structure. In the 1950s, a necropolis was uncovered in the area, containing approximately 800 tombs presumed to have belonged to the upper
Exhibition review: Armenian traditional garments and decorative art objects displayed in China for the first time
By Ani Margaryan The introduction The exhibition of the 19th-20th century Armenian art relics from the permanent collection of the Yerevan History Museum in one of the national first-class museums of the People's Republic of China, Fujian Museum, Fuzhou, was organized
The past and present of the Armenian woodcraft (interview)
The Armenian Highland provided rich material for craftsmen to create wooden art objects, architectural details, and decorative items, such as distinguished pulpit-lecterns (a 10th-century and 13th-century church lecterns from the medieval Armenian capital Ani), carved capitals, utilitarian dinnerware, solid entrance
“Mandarin Ducks” by Qi Baishi: Bridging Armenia and China
by Ani Margaryan In 2013 Bonhams auction house sold one of the works of prominent Chinese artist Qi Baishi (Qi Baishi, “Mandarin Ducks in Lotus Pond,” ink and color on paper, framed and glazed, inscribed and signed “Baishi,” with one seal
The work of the contemporary Chinese artist in the heart of Yerevan, Armenia
Since the year 2012, the Cafesjian Center for the Arts in Armenia, housed in the distinctive “Cascade Complex” in the capital city of Yerevan, has been exhibiting the sculpture of a laughing man (“Untitled,” 20-century, stainless steel, the artist assumably
