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The Tianjin Binhai Library looks like a book lovers’ heaven. Upon entering, visitors are welcomed into an atrium that ebbs and flows in what appears to be floor-to-ceiling books, with a luminous spherical auditorium called “the eye” at its core.While the building’s main atrium isn’t meant to be a reading place, there’s an abundance of quiet, educational spaces among the five levels.The library has designated reading rooms, child-specific spaces, elderly and community meeting areas, lounges, and computer and audio rooms. Two rooftop patios increase access to daylight while also providing an area to connect with the outdoors. The shelves are

ChinArmArt People who have watched "Andin. Armenian Journey Chronicles" are often curious about the medieval astrolabe that also appeared on the poster of the film. Was it discovered by the film crew? Why did exactly that object become the symbol for your film?    Ruben Giney It’s a very good question, indeed. Through many years and dozens of interviews, no one really asked why the astrolabe became the symbol of the film covering the subject of Armenian-Chinese relations. We found the astrolabe in the repository of the History Museum of Armenia in Yerevan, it was never exhibited and only a few scientists were

Archbishop John (Yovhannēs), the brother of King Hethum I (1213 – 21 October 1270) ruled the Armenian Kingdom of Cilicia from 1226 to 1270), appeared in a Cilcian miniature painting- scene of consecration  (Matenadaran MS 197, Gospel, Akner, Cilicia, year of 1287, commissioned by Archbishop John himself) in his full liturgical garb. His luxuriously-decorated ensemble displays a Chinese dragon, as an indication of the Armenian-Chinese thriving cultural interactions during the period.  The archbishop is depicted performing an ordination. On his tunic or alb, a liturgical garment worn under the chasuble, there is an isolated motif of a Chinese dragon woven in

Anna Hormouz (Armenian: Աննա Հուրմուզ), also known as Mrs. Anna Raffi, was the wife of renowned Armenian novelist Raffi and mother of Aram and Arshak Melik-Hakobian. Anna was largely responsible for the publication of her husband's works in London after he passed, as well as, a devoted scholar of the Armenian question.  Mrs. Anna spoke and wrote very fluently in Armenian and Assyrian. She also knew Atrpatakan Turkish, Russian and Georgian. She spoke, read, and wrote in English.  In the presented photographers taken in the late 19th century (presumably between the 1860s and the 1890s, The History Museum of Armenia and

A Chinese vase that was dismissed as "worthless" because it had a crack in it has sold for over £55,000.The blue and white antique was spotted by auctioneer Charles Hanson during a visit to the owner's home after he was called there to value other objects.It was sitting on top of a cabinet - but the 89-year-old woman did not even bother to ask about it because she was convinced it had no value.

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