The innovative approach of the Chinese artist from Nanjing reshaped the perception of mortise-and-tenon
These two installations as the embodiment of modern rethinking of the past have been recently represented in the 120th-anniversary celebration exhibition of the Nanjing Normal University held at the National Art Museum of China. The installation, made of acrylic and
Lavash as an art and in the art- from Minas Avetisyan to Kusama-influenced installation
By Ani Margaryan It’s noteworthy that lavash and its making process rarely come into sight as a focus forcontemporary art installations. We are fortunate to witness its employment as a basic material forgroundbreaking installation that occupies a whole room at 117
